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| Author(s): |
Mario Sagayama
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2017-03-24 |
| Examining board members: |
Fabio Rigatto de Souza Andrade;
Tiago Guilherme Pinheiro;
Roberto Zular
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| Advisor: | Fabio Rigatto de Souza Andrade |
| Abstract | |
Reading Company (1980) was the aim of this paper. The first volume of Samuel Beckett´s Nohow on, his last trilogy, the novel brings up to the foreground one of the most thought-provoking formal features of Beckett´s work: the voice. In this reading, voice was approached according to Jacques Lacan voice theory, in what concerns language and, also, as an object of invocatory drive. Departing from Lacanian psychoanalysis, voice was crossed with other fundamental aspects to Beckett´s work, such as the body, grief and space, which allowed to come closer to both his prose and his drama. (AU) | |
| FAPESP's process: | 14/08698-0 - Fictions of the voice: reading Company, of Samuel Beckett |
| Grantee: | Mario Augusto Pedrozo Sagayama |
| Support Opportunities: | Scholarships in Brazil - Master |