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Aanlysis of documental creation processes with archival materials in films about Welles realized by Rogério Sganzerla
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| Author(s): |
Régis Orlando Rasia
Total Authors: 1
|
| Document type: | Master's Dissertation |
| Press: | Campinas, SP. |
| Institution: | Universidade Estadual de Campinas (UNICAMP). Instituto de Artes |
| Defense date: | 2013-04-29 |
| Examining board members: |
Francisco Elinaldo Teixeira;
Samuel José Holanda de Paiva;
Nuno César Pereira de Abreu
|
| Advisor: | Francisco Elinaldo Teixeira |
| Abstract | |
We will discuss the creative process the films of Rogério Sganzerla, approaching the passage of Orson Welles by Brazil in 1942: Nem tudo é verdade, Linguagem de Orson Welles, Tudo é Brasil e O signo do caos. A huge inventory of materials would compose these narratives rescuing the passage of Welles by Brazil. Sganzerla investigates the motives of the finitude and forgetfulness of the project, crystallizing your search with images and sounds on cinema, integrating tastes, genres and styles through the dense use of archival materials (AU) | |
| FAPESP's process: | 11/04128-6 - Analysis of documentary creation processes in movies about Welles of filmmaker Rogério Sganzerla |
| Grantee: | Régis Orlando Rasia |
| Support Opportunities: | Scholarships in Brazil - Master |