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| Author(s): |
Meritxell Hernando Marsal
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2010-07-26 |
| Examining board members: |
Jorge Schwartz;
Alai Garcia Diniz;
Laura Janina Hosiasson;
Ana Cecilia Arias Olmos;
Gênese Andrade da Silva
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| Advisor: | Jorge Schwartz |
| Abstract | |
The present work creates a dialogue between two literary avant-garde movementes that emerged in the twenties of last century in Peru and Brazil: on the one hand, the avant-garde\'s indigenismo of Puno directed by Gamaliel Churata, that claimed both their regional and ethnic identity, as the procedures avant-garde use to express it; and, on the other hand, his Brazilian contemporary, the Oswald de Andrade\'s Anthropophagy, who from the São Paulo metropolis brought together similar elements (the indigenous and the avant-garde impulse) with different intentions. The thesis intends to discuss the indigenous\'s picture drawn by both movements in the journals Boletín Titikaka and Revista de Antropofagia and present in El pez de oro by Churata and Serafim Ponte Grande by Andrade; this image was used as a symbolic platform which deal with historical, literary and perplexities of both programs, which spoke through an absent voise, are underlined with the intention of showing the contradictions of their society. (AU) | |
| FAPESP's process: | 09/50176-2 - "Bárbaro e nosso": indigenismo and avant-garde in Oswald de Andrade and Gamaliel Churata |
| Grantee: | Meritxell Hernando Marsal |
| Support Opportunities: | Scholarships in Brazil - Doctorate |