The amorous lyricism and the poetic creation in Mário de Andrade
The hero under irony in the post-modern Brazilian political scene - a film analysi...
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Author(s): |
André Curiati de Paula Bueno
Total Authors: 1
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Document type: | Doctoral Thesis |
Press: | São Paulo. |
Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
Defense date: | 2005-02-16 |
Examining board members: |
Valentim Aparecido Facioli;
Maria Ignez Novais Ayala;
Alberto Tsuyoshi Ikeda;
Maria Lucia Aparecida Montes;
Luiz Augusto de Moraes Tatit
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Advisor: | Valentim Aparecido Facioli |
Abstract | |
This is a study of three dramatic dances with masked black character, from three states of Brazil, in comparison with Mario de Andrade´s character Macunaíma. Field research with audio/video capture was done in four years, in continuity with the research for a previous thesis. Chapter 1 introduces Mário de Andrade´s approaches, ethnomusicology, semiotics, African and Afro-brazilian studies. Chapter 2 considers diferent values in Macunaíma, from the ethnographic base to visions of black characters in Brazilian popular culture, referring data from the book itself, from Andrade´s letters to Manuel Bandeira and from the critics. Chapter 3 discusses field experience, Andrade´s register of the clown Veludo in Lundu do Escravo and Tinhorão´s vision of the singing black minstrels. Chapter 4 brings transcriptions of texts registered in field with the characters Black Francisco, Catirina, Mateus and Bastião in three states of Brazil. And chapter 5 brings comparisons of the three narratives, and coherences with Macunaíma. The conclusion approaches social disguise and masks and vitality of black representations. (AU) |