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| Author(s): |
Mônica Fernanda Rodrigues Gama
Total Authors: 1
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| Document type: | Doctoral Thesis |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2013-10-11 |
| Examining board members: |
Marcos Antonio de Moraes;
Maria Célia de Moraes Leonel;
Claudia Consuelo Amigo Pino;
Eneida Maria de Souza;
Sandra Guardini Teixeira Vasconcelos
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| Advisor: | Marcos Antonio de Moraes |
| Abstract | |
During the reading of many of Guimarães Rosas narratives, the reader can sometimes encounter a character or a narrator that can be seen as the self-representation of the writer himself due to the association between textual aspects (themes, characters, narrators) and the readers information about the author. This identification can also be the result of the adjusting of the text to the repertoire of images and authorial postures which then interact with aspects of the work in question the writer himself can tap into this repertoire in order to construct his image as an author. This thesis discusses how Guimarães Rosa created these authorial images, aiming to understand the dynamics that sustain the relationship between the authorial figuration and the literary field; we also analyze the process of self-representation through public (interviews and testimonies) and private (journals and other manuscripts) interactions during which we can observe the writer producing images of himself and affirming authorial postures that suggest modes of interpretation of his works. In relation to Rosas texts, we analyze articles first published in magazines and then organized in Tutaméia Terceiras Estórias (1967), Estas Estórias (1969) e Ave, Palavra (1970). (AU) | |
| FAPESP's process: | 09/14892-5 - The Guimaraes Rosa´s self-representation: The process of creation and dialogue with the reader |
| Grantee: | Monica Fernanda Rodrigues Gama |
| Support Opportunities: | Scholarships in Brazil - Doctorate |