CV Lattes
ResearcherID
ORCID
Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
graduate at Licenciatura Em Arte Cênicas from Universidade de São Paulo (1979), master's at Arts from Universidade de São Paulo (1988) and ph.d. at Arts from Universidade de São Paulo (1995). Has experience in Arts, acting on the following subjects: teatro brasileiro contemporâneo, dramaturgia brasileira contemporânea, grupos teatrais, encenação brasileira contemporânea and teatro contemporâneo. (Source: Lattes Curriculum)
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This dissertation examines the contemporary theatre spectator experience (DEWEY,2010), based on the analysis of their narratives about that experience. This spectator experience is understood through a triple mechanism that involves memory, attention and emotion (MÜNSTERBERG, 2004). This understanding constructs the theoretical poles of the dissertation, which refer critically to the most…
Considering the historical and social circumstances that determined the formation of Brazilian society and that culminated in the structural racism that blights the theater produced in Brazil today, this doctoral research proposes an investigation on the role that the skin color of a performer can play in the production of meanings in contemporary theater. Through a practical experiment, …
This project aims to investigate the possibilities of the concept of representativeness as a tool to integrate the theater scene and the social reality of specific communities. In order to do so, it proposes the construction of a theoretical framework that allows an in-depth study of the implications and distinctions between the concepts of representation and representativeness in the con…
This doctoral dissertation seeks to investigate the contemporary Latin American scene through theatrics created in Latin America that merge artistic and social strands. The hypothesis which grounds this dissertation is that, in the Latin America context, generates creative proceedings that tend to make evident the crisis of representation, with in the arts as much as in politics. Is consi…
Acknowledging the centrality of some notions of presence to the discussions of performing arts today, this research aims to describe and discuss approaches of presence in the works of three artists: Steve Paxton, Pina Bausch and Kazuo Ohno, assuming that those artists have developed specific elaborations of presence, whose deployments, transits and influences cross over many other works i…
(Only some records are available in English at this moment)
The doctoral research titled 'Corpo, Performance e Identidade: Notas sobre a Presença Negra na Cena' proposes an investigation into the presence of Black individuals in the performing arts, emphasizing the meanings generated by the Black body in contemporary theater. The study aims to examine how the concept of race operates within the performing arts realm, distorting the representation…
The research internship project aims to deepen the investigations that have been developed in the doctorate research Black skin, White characters, concerning intersections between Theatre and Race. Considering Brazilian historical, political, and social context, we seek a better understanding of the role that the skin color of an actor may play in the production of meanings within the con…
The present project aims to verticalize the research that has been developed in the ECA/USP Performing Arts Postgraduate Program on the concepts of representation and representativeness in the contemporary scene. Through the contact between the material collected during the creation of the play Refúgio, new work by Cia. Marginal that will address the issue of Angolan immigration at the Co…
(Only some records are available in English at this moment)