Suzi Frankl Sperber

• Abstract

  Let us depart from a principle which is present in contemporary thinking: the art of the agent of performing arts - an actor, a dancer or a performer - is located in the area of acting as materiality of his body. The materiality of the body strengthens the performative terrain and generates within this action possible escape routes for the relations of representation from pre-established …

  Memory(s) and small perceptions, AP.TEM
• Kai Bredholt | Odin Teatret - Dinamarca, AV.EXT
• Sue Morrison | Movement Research Center - Estados Unidos, AV.EXT

(Only some records are available in English at this moment)

• Abstract

  This work consists of three analytical units. The first unit concerns the analysis of the philosophical principles of Louis-Ferdinand Céline's style, from both his epistle, Voyage au bout de la nuit and Mort à Crédit. In addition to the remarkable literary dimension that stands out immediately when reading his letters, the metaliterary aspect that Céline uses to talk about concepts that a…

  Philosophical principles and translational analysis of Louis-Férdinand Céline's style, BP.DR

• Abstract

  Lewis Carroll in Alice's Adventures in Wonderland and Through the looking-glass presents us with a work full of mazes, puzzles, and parodies that form itself through word games and logic "disorganized", the logic inside out, inversion. The narrative is structured at a morphological level on paradoxes and portmanteau words, painted by fun and colorful language, unusual character characteri…

  Alice in wonderland and what the surrealism found there, BP.IC

• Abstract

  This PhD proposal aims at furthering a research in which I appropriate some of the procedures of body mimesis related to actor training and the creation of art characters and plays (performing arts).Its subject is the analysis of the processes in which the character Isabelita and a play named after her were created by Cia. Berro d'Água from 2005 to 2008. I have taken part in them as an ac…

  Isabelita, memory and humor, BP.DR

(Only some records are available in English at this moment)

• Abstract

  In the course of the internship abroad, the intention is to offer a more refined analysis of two of the works of Louis-Ferdinand Céline elected as work scope. Thus, for Voyage's approach, one takes into account the relationship between the use of irony and sarcasm, and the political discourses that appear in the novel. The analysis intends to offer an overview of style procedures, from wh…

  Style and Traduction from the work of Louis-Ferdinand Céline, BE.EP.DR

• Abstract

  The Elizabethan plays written during last decade of the XVIth century are generally very concerned with English history. It is important to remember, however, that the era which is so often depicted in these plays, such as Richard II and Richard III, was very distant from the contemporary audience in Tudor England. The history of that illustrious family, the Tudors, remains very popular t…

  Sir Thomas More: afterlives and the great matter, BE.EP.DR

• Abstract

  One of the most problematizing key elements in the speculative and fantastic fiction - in a perspective that sets a specifically mark in the history, a literature form that starts at the end of the eighteenth century -, recognized for his many analysts, is the tension between the standard, the everyday life and its randomness conventional and the disturbing shift that moves through the cr…

  Ballard manuscripts (enlarging the research scope), BE.EP.PD

(Only some records are available in English at this moment)