CV Lattes
ORCID
Google Scholar Citations
Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA) (Institutional affiliation from the last research proposal) Birthplace: Brazil
graduation at Psicologia from Universidade Federal de Minas Gerais (1988), graduation at Bacharel em Psicologia from Universidade Federal de Minas Gerais (1984), master's at Comunication from Pontifícia Universidade Católica de São Paulo (2000) and doctorate at Comunication from Pontifícia Universidade Católica de São Paulo (2005). Has experience in Arts, acting on the following subjects: cinema, audiovisual, televisão, vídeo and cinema expandido. (Source: Lattes Curriculum)
| News published in Agência FAPESP Newsletter about the researcher |
| More itemsLess items |
| TITULO |
| Articles published in other media outlets ( ): |
| More itemsLess items |
| VEICULO: TITULO (DATA) |
| VEICULO: TITULO (DATA) |
Throughout the history of cinema in countries of the African diaspora, there is a common factor: the absence of experiences of black women or the recurrent use of stereotypes around them. In Brazil and the United States, a similar process of dehumanization of black bodies and annihilation of their multiple ways of living, both in films in itself as in the theoretical reflection produced t…
This study will analyze the technical and poetic operations used by artists to establish relationships between videoart and its physical spaces of instauration from studies of stratified sampling of collections from the following research projects: The relationship of the image in visual arts: mapping of image production in paraense contemporary art (CNPq/2005 - 2010) and Pathways of imag…
Disregarding the reliance of the cognitive system on structures as precise as the eye and the ear, perception, the cognitive process through whom we capture and process external stimulus, is a potentially manipulable process, who states an awarenesses of the influenceable nature of the human subject. The authenticity of the audiovisual stimulus is abstract and susceptible to pre-productio…
Conducting research abroad, at Oxford Brookes University, in which the researcher can unite his research and achievements - and his Research Group LabArteMídia (Laboratory of Art, Media and Digital Technologies) - in progress with the Department of Film, Radio and Television and the Graduate Program in Media and Audiovisual Processes at the School of Communication and Arts of the Universi…
In this study we aim to identify the poetic and technical characteristics of the emerging video form from the 1990s in their relationship with television, cinema and the emergence of computer images. For this, we will use a method of deductive hypothetical research and historical and comparative approach method. We will forward a literature in the library of the University of Glasgow, and…
The cinema (and what is not considered cinema but audiovisual) as well as photography is a mechanical kind of art, meaning that to be effective in its execution needs a mechanism that answers the technical and creative expectations of the artist. But the physical and conceptual construction of those objects had not been possible without the constant dialogue between different areas of kno…
| 3 / 3 | Completed scholarships in Brazil |
| 3 / 3 | Completed scholarships abroad |
| 6 / 6 | All Scholarships |
| Associated processes | |