Improvising in popular music: A study of choro, frevo and baião - three sources of...
Development and application of an improvisation course for the Undergraduate Progr...
| Full text | |
| Author(s): |
Almir Côrtes
[1]
Total Authors: 1
|
| Affiliation: | [1] UNICAMP
Total Affiliations: 1
|
| Document type: | Journal article |
| Source: | Per musi; n. 29, p. 195-208, 2014-06-00. |
| Abstract | |
This study aims at illustrating and explaining certain combinations of musical elements used in the stylization of baião by Brazilian composer, instrumentalist and singer Luiz Gonzaga (1912-1984) between the decades of 1940 and 1950. This critical appreciation provides elements to be applied in the fields of interpretation, composition, arrangement, musical analysis and improvisation, and may contribute to identify the reuse and reinterpretation of aesthetical and musical elements related to baião in different times and scenes of Brazilian music. (AU) | |
| FAPESP's process: | 06/06571-6 - Improvising in popular music: A study of choro, frevo and baião - three sources of música instrumental brasileira (Brazilian instrumental music) |
| Grantee: | Almir Côrtes Barreto |
| Support Opportunities: | Scholarships in Brazil - Doctorate |