From where horizon is almost: Orides Fontela's objective lyricism
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| Full text | |
| Author(s): |
Nathaly Felipe Ferreira Alves
[1]
Total Authors: 1
|
| Affiliation: | [1] Universidade Estadual de Campinas - Brasil
Total Affiliations: 1
|
| Document type: | Journal article |
| Source: | Estudos de Literatura Brasileira Contemporânea; n. 61 2020-10-21. |
| Abstract | |
Abstract This work aims to analyze the ontological status of poetic language, underpinned by a particular rhythm, based on the appreciation of two poems written by Orides Fontela: “Gênesis” (Helianto, 1973) and “Antigênesis” (Rosácea, 1986). Therefore, we will use Henri Meschonnic (2006) and Paul Valéry (2007) considerations concerning the formalization of poems as genuinely critical, scriptural objects of language, of themselves and of the world. (AU) | |
| FAPESP's process: | 18/22189-1 - From where horizon is almost: Orides Fontela's objective lyricism |
| Grantee: | Nathaly Felipe Ferreira Alves |
| Support Opportunities: | Scholarships in Brazil - Doctorate |