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| Author(s): |
Sabrina Tozatti Greve
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Escola de Comunicações e Artes (ECA/SBD) |
| Defense date: | 2017-10-02 |
| Examining board members: |
Cristian da Silva Borges;
Pedro Maciel Guimaraes Junior;
Luiz Fernando Ramos
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| Advisor: | Cristian da Silva Borges |
| Abstract | |
This project aims at investigating the role of the actor and his/her model of acting for the screen, from a theatrical perspective. Starting with the System created by Konstantin Stanislavski, I establish a trajectory of appropriations, contemplating primarily the researches of Soviet filmmakers Lev Kuleshov, Sergei Eisenstein and Vsevolod Pudovkin. Then, I analyze the arrival of Stanislavski\'s ideas at the United States, and how they influenced both American theater and cinema. The creation of the Actors Studio and the formulation of the American Method of acting will be approached mainly through Elia Kazan and Lee Strasberg\'s ideas. Finally, in Brazil, I analyze the project Prêt-à-Porter (1998 - 2011), created by Antunes Filho, which influenced the formation of a whole generation of actors also present in contemporary film production. Thus, I highlight some procedures that highly contributed to the creative process of actors, from the stage to the screen. (AU) | |
| FAPESP's process: | 15/06707-4 - The Theatre's Actor to the Cinema, from the Cinema to the Theatre: Stanislavski, Actors Studio and Antunes Filho |
| Grantee: | Sabrina Tozatti Greve |
| Support Opportunities: | Scholarships in Brazil - Master |