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| Author(s): |
Natália Acurcio Cardoso
Total Authors: 1
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| Document type: | Master's Dissertation |
| Press: | São Paulo. |
| Institution: | Universidade de São Paulo (USP). Faculdade de Filosofia, Letras e Ciências Humanas (FFLCH/SBD) |
| Defense date: | 2023-05-23 |
| Examining board members: |
Oliver Tolle;
Marcia Cristina Ferreira Gonçalves;
Rosana de Oliveira;
Vladimir Pinheiro Safatle
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| Advisor: | Oliver Tolle |
| Abstract | |
Art appears in the process of consciousness development in the Phenomenology of Spirit, a work in which Hegel presents a path of necessity toward absolute knowledge, within the chapter on Religion. Since art is one of the figures of this system, which is entirely necessary, I would like to reflect on its peculiarities. Hegel\'s theory of the spirit seems essential for us to understand how art operates as a figure, what its characteristics are, and what relationship we can establish with the author\'s philosophy. The central text for the development of this work will be Art- Religion, which is item B of chapter VII of the Phenomenology. Other parts of the work, however, will be approached for a better understanding of our basic text, and a central emphasis in our research will be given to the preface and the introduction of PS, since both operate as a guide to the understanding of the process of consciousness as a dialectical movement. In addition, the author\'s Lectures on Fine Arts will be addressed with a view to both an understanding of art, philosophy, and religion in this work, and a possible relation to the place of art in Phenomenology. (AU) | |
| FAPESP's process: | 19/09780-5 - The necessity of art within the journey of consciousness in Hegel |
| Grantee: | Natália Acurcio Cardoso |
| Support Opportunities: | Scholarships in Brazil - Master |