CV Lattes
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Universidade Federal de São Paulo (UNIFESP). Campus Guarulhos. Escola de Filosofia, Letras e Ciências Humanas (EFLCH) (Institutional affiliation from the last research proposal) Birthplace: Brazil
Full Professor in the Philosophy Department at Unifesp. Degree in Philosophy from UFPA (1997). Master's and Doctorate in Philosophy from UNICAMP (2000 and 2004) - with a research internship at the University of Leipzig/Germany (2003-4). Post-doctorate at USP (2006). Post-doctorate at CESEM (Centro de Estudos de Sociologia e Estética Musical) (Portugal, 2013-2014), Post-doctorate at Universität Leipzig (2015-2016). Post-doctorate at the New University of Lisbon (2024). He works in the areas of Aesthetics, Cultural History and Foundations and Criticism of the Arts. He has published Cinco prefácios para cinco livros escritos: uma autobiografia filosófica de Nietzsche (Five prefaces to five written books: a philosophical autobiography of Nietzsche) (Belo Horizonte: Tessitura Editora, 2008); Nietzsche, Adorno e um pouquinho de Brasil (São Paulo: Unifesp, 2011); Para ler O nascimento da tragédia de Nietzsche (São Paulo: Loyola, 2012), To read Nietzsche's The Wagner Affair (São Paulo: Loyola, 2018); Musical mirror of the world (Campinas: PHI, 2021), Noon (7letras, 2021) and Music alone: a philosophical crossing between Europe and Brazil (Edusp, 2024). He is a member of the Editorial Board of Editora PHI and of the magazines Limiar, Anãnsi and Apoena. He is a member of the Criticism and Modernity research group (CRIM) at UNICAMP and of the Ibero-American Network of Nietzschean Studies (RIEN). He is a member of the permanent teaching staff of the Philosophy Graduate Programs at Unifesp and UFPa. He is currently a CNPq 1D researcher. (Source: Lattes Curriculum)
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It is according with the idea that the romance possess an anthropological-speculative statute which constitute the universe of the literary, as postulated by Alexandre Nodari when referring to José Juan Saer, that we will use as a tool for the research, such as the bottom line for a philosophical discussion, two selected texts where a qualitative difference will be traced, concerning to i…
Starting with the animals and animality in Thus Spoke Zarathustra, the present research proposes a reflection on the animal in Nietzsche. Through this work, it is possible to relate elements of the overman and of the eternal return to the animal. In other works by Nietzsche, it is possible to support that the animal is in the instant of the eternal return and that man and overman are not …
This project proposes an interpretative hipothesis according to which, on the one hand, Nietzsches thought of eternal recurrence of the same is built with a preparation so that it is able to work in every register dwelled by Nietzschean Philosophy, in a swinging manner, enabling it to position itself as an unavoidable test in each one of them. On the other hand, that these registers are r…
The project analyses the thought of the eternal recurrence of the same, as presented by Friedrich W. Nietzsche, investigating its interpretation as a countermeasure to existencial resentment. Nietzsche tracks this feeling in the origin of that which is maybe the target of his most severe critique: western metaphysics - and, by proxy, also cradle of those which he considers, respectively, …
AbstractThe main objective this research is to analyze how Nietzsche's prelections when he was a professor at the University of Basel - "Contribuição à história da tragédia grega: introdução à tragédia de Sófocles": - contain some of his first formulations on the Greeks and are the foundations for his theory of the tragic. We aim to show how these classes served as a blueprint for some im…
In Thus Spoke Zarathustra, it is possible to relate elements of the overhuman and of the eternal recurrence to the animal and to support that the animals know immediately and naturally the eternal recurrence, because they are in the moment of time and are amoral bodies. The hypothesis constructed here is that the notion of animality in Nietzsche is inserted in the amorality and in the non…
This research project aims to discuss the broader meaning of the first Bayreuth Festival, organized by the Wagners in 1876, both from an aesthetic and an ethical point of view. By proposing a close link between music, culture, politics and society, Wagnerism proposes a nationalist revival of Germany from a redemptive program that sought in the sources of mythical narratives, and in a vigo…
This research is intended to analyze in which ways Nietzsche uses his understanding of art and science to communicate his cardinal ideas in both these registers, with special attention to the use of this tactic in the communication of the thought of the eternal recurrence of the same. Through a contrast of the different textual stylistics of which the corpus makes use, of the various moda…
(Only some records are available in English at this moment)
| 1 / 0 | Ongoing grants |
| 1 / 0 | Completed research grants |
| 3 / 3 | Ongoing scholarships in Brazil |
| 5 / 3 | Completed scholarships in Brazil |
| 5 / 5 | Completed scholarships abroad |
| 15 / 11 | All research grants and scholarships |
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