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Universidade de São Paulo (USP). Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto (FFCLRP) (Institutional affiliation for the last research proposal) Birthplace: Brazil
Rubens Russomanno Ricciardi is a full professor in the Music Department at FFCLRP-USP and full academic master's advisor by the Postgraduate Program in Cultural Studies (Critical Culture Research Line / Critical Poíesis) by EACH-USP. He is a composer, conductor, pianist and musicologist. Graduated (Degree in Music) from the School of Communications and Arts of the University of São Paulo and with a specialization (Musicology) from the Humboldt University of Berlin, his academic career includes Master's (dissertation on Hanns Eisler), Doctorate (thesis on Manuel Dias de Oliveira) , Free-teaching (thesis in Musical Poetics) and Contest for Full Professor (performance in conducting / piano) by ECA-USP. His lines of research are 1) Philosophy of the arts and criticism of culture: for a critical poetry and 2) Processes of artistic development: Performance in Brazilian Music - history, interpretation-execution, compositional and editorial processes. Founder of the Music Course at USP in Ribeirão Preto, with his pioneering bachelor's degree in Viola Caipira, he is also the founder and artistic director of Ensemble Mentemanuque (group dedicated to contemporary music) and USP-Filarmônica (orchestra of undergraduate students, scholarship holders from USP ). He is also, at USP, professor responsible for the Música Nova Gilberto Mendes Festival, coordinator and founder of the Research Nucleus in Music Performance Sciences (NAP-CIPEM), of the Arts Memory Center, of the USP-Música-Criança Project (with centers in Ribeirão Preto and São Joaquim da Barra, covered by the Program Learning in the Community of PRG-USP) and the series Concerts USP / São Carlos and Concerts USP / Theatro Pedro II, respectively in the cities of São Carlos and Ribeirão Preto. His symphonic work Candelárias was awarded in Mexico. He has articles and book chapters published in Brazil, Portugal and Germany. His chamber and symphonic compositions have been performed in music centers in Brazil, North America (Canada, USA and Mexico) and Europe (Spain, Switzerland, Italy, France and Germany). He is a FAPESP reviewer. (Source: Lattes Curriculum)
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From the Arabian lute and the Latin guitar, the violas de mão, in Portugal, and the Spanish guitars, known as violão in Brazil, appear on the scene. The viola caipira, from the Portuguese viola de mão, lasted in the urban musical background, in Brazil, until the first half of the 18th century, when it was replaced by the violão and gradually migrated to the countryside. Since 1960, the pr…
This research project proposes an investigation of the primarily musical concept of system (sýstema in Greek, or systema, in Latin), originated in Ancient Greek, aiming texts about musical literature in Latin. Through a semantic sweep of the term, one tries to understand the historical unfoldings of how a concept passes from one area to another of the knowledge, in view of the medieval an…
Antonio Rodrigo Silva (* 1994) is a graduate student (entry in 2011) in the Bachelor of Instrument (Piano) by the Department of Music FFCLRP-USP. He has demonstrated excellent performance not only in interpretive practices but also stands out for his exceptional ability to perceive. He has perfect pitch, musical memory above average and excellent rhythmic security, expressive musicianship…
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The fundamental proposition of this research project consists in an accurate analysis about the early texts of the tradition of ancient Greek thought that might (1) show the origins of the concepts of harmony and Systema and (2) clarify under what conditions originally flourishes the alliance between those two concepts. This alliance is of the utmost importance for the understanding of m…
| 7 / 4 | Completed scholarships in Brazil |
| 1 / 1 | Completed scholarships abroad |
| 8 / 5 | All Scholarships |
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