PhD in Sonology and Creative Processes and MA in Musicology from the School of Communications and Arts at the University of São Paulo (USP). He is currently a Postdoctoral Fellow in Linguistics and Semiotics at the Faculty of Philosophy, Languages and Human Sciences (FFLCH-USP). He served as a Visiting Professor of Musical Perception at the Federal University of Rio de Janeiro (UFRJ) in 2018 and 2019. He studied Composition at the São Paulo State Music School (EMESP) from 2014 to 2016. Based on the tensive approach of discursive semiotics, his research focuses on Musical Enunciation and performative objects in which musical language engages with various other artistic languages. He also works as a Contemporary Music composer. He was a member of Coletivo Capim Novo, a group of composers, performers, and artists dedicated to research, creation, and practice in Music and Contemporary Art from 2014 to 2024. He has been part of the Semiotic Studies Group (GESUSP) since 2013 and will serve as vice-coordinator of the Semiotics division at ABRALIN the Brazilian Linguistics Association starting in 2025. (Source: Lattes Curriculum)
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The present project seeks to produce a set of academic products that aim to solidify the theoretical and methodological bases of what can be understood as epistemological prosodization (TATIT, 2019). Building on the musical influence that the French aestheticist and musicologist Gisèle Brelet (1915-1973) exerted on the consolidation of Claude Zilberberg's (1938-2018) tensive semiotics, we…
Contemporary music and artistic practices have produced a wide variety of hybrid objects that put in scene the contact between more than one artistic language. The project proposes theoretical strategies and analytical practices for the description of these objects, and the construction of a creative process that is motivated by the theoretical-analytical developments of the research. Anc…
This project, approved for postdoctoral funding by FAPESP, aims to produce a set of academic outputs designed to solidify the theoretical and methodological foundations of what can be understood as epistemological prosodization (Tatit, 2019). Drawing on the musical influence that the French aesthetician and musicologist Gisèle Brelet (1915-1973) had on the consolidation of the tensive sem…
| 2 / 2 | Completed scholarships in Brazil |
| 1 / 1 | Ongoing scholarships abroad |
| 3 / 3 | All Scholarships |
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CV Lattes
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