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(Reference retrieved automatically from SciELO through information on FAPESP grant and its corresponding number as mentioned in the publication by the authors.)

Black Drums, White Ears: Colonialism and the Homogenization of Social and Cultural Practices in Southern Mozambique (1890-1940)

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Author(s):
Matheus Serva Pereira [1]
Total Authors: 1
Affiliation:
[1] Universidade Estadual de Campinas (Unicamp). Centro de Pesquisa em História Social Aplicada (Cecult). Instituto de Filosofia e Ciências Humanas (IFCH) - Brasil
Total Affiliations: 1
Document type: Journal article
Source: Revista Brasileira de História; v. 39, n. 80, p. 155-177, 2019-04-08.
Abstract

ABSTRACT In this article, I analyse how practices referred to generically in the historical documentation as ‘batuque’ (drums) underwent a process of homogenization and scrutinization by diverse Portuguese colonial agents. On one hand, the co­lonial agents insisted on unifying everything they saw as dance and music under the generic category of ‘batuque.’ On the other hand, the need for a better understanding of the subordinate Africans ended up producing colonial responses that shifted between a dissection of the term in search of a more accurate apprehension of what was being observed and an incorporation of these practices into the colonial enterprise. This process was conceived by the colonial agents as a way of appropriating the dances, songs and music made by the natives of southern Mozambique into the ultramarine Portuguese nationalist discourse. (AU)

FAPESP's process: 18/05617-0 - On the tracks of Fany Mpfumo and Marrabenta: daily life, music and nationalisms in the suburbs of Mozambican capital (1950-1980)
Grantee:Matheus Serva Pereira
Support Opportunities: Scholarships abroad - Research Internship - Post-doctor