Forming Latin-America's cultural industries: scenes of continental reinvention
The Ugliness of beauty: the "dialectic of ugly" in Theodor W. Adorno
Intermidiality: the means of artistic production in Samuel Beckett and in the Crit...
| Full text | |
| Author(s): |
RAQUEL PATRIOTA DA SILVA
[1]
Total Authors: 1
|
| Affiliation: | [1] Federal University of Rio Grande do Norte - Brasil
Total Affiliations: 1
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| Document type: | Journal article |
| Source: | Novos Estudos - CEBRAP; v. 41, n. 2, p. 353-369, 2022-08-29. |
| Abstract | |
ABSTRACT This paper starts from a revision of Adorno’s late work, in particular his remarks on cinema, published in the 1960s. Our hypothesis is that cinema acquires relevance in Adorno’s late work not only through a shift in his position regarding that medium itself, but rather due to a broader transformation in his aesthetic position, encompassing a distinct view on the procedures of modern art and the complex relations between the different artistic genres. (AU) | |
| FAPESP's process: | 16/00472-8 - Theodor Adorno and the construction of artistic modernism |
| Grantee: | Raquel Patriota da Silva |
| Support Opportunities: | Scholarships in Brazil - Doctorate |