Relationship between musician and audience in musical performance in the 17th century

• Grant number: 16/04451-5
• Support Opportunities: Scholarships in Brazil - Scientific Initiation
• Effective date (Start): April 01, 2016
• Effective date (End): December 31, 2016
• Field of knowledge: Linguistics, Literature and Arts - Arts - Music
• Principal Investigator: Cesar Marino Villavicencio Grossmann
• Grantee: Vinicius Marson
• Host Institution: Instituto de Artes (IA). Universidade Estadual Paulista (UNESP). Campus de São Paulo. São Paulo , SP, Brazil
• Associated research grant: 14/15570-0 - Research group on Renaissance and Contemporary music - Greco, AP.JP

Abstract

The study proposes the analysis of the relationship between the audience and the interpreter during the sixteenth and seventeenth centuries. Considering some rhetorical aspects, as e.g. decorum and a virtue known as evidentia, this investigation focuses on aspects that would eventually help to expose the dynamics inherent in the communication between the interpreter and the public during the renaissance, putting us closer to a proper intentional posture for the interpretation of this repertoire. (AU)