He holds a bachelor's degree in History from São Paulo State University (UNESP-FCL-Assis), a master's degree in History from São Paulo State University (UNESP-FCL-Assis), and is currently a PhD student in Literature (Literary Theory and Comparative Literature) at the University of São Paulo (USP). He was an invited researcher at the "Centre Prospéro: Langage, image et connaissance" of Université Saint-Louis-Bruxelles-Louvain (USL-B) in Belgium and also at Sorbonne Université (Paris IV). His areas of interest and research include Contemporary Literature, Aesthetics, Theory of Images, Literary Theory, and Contemporary Philosophy. (Source: Lattes Curriculum)
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This is a research that aims to understand, through an immanent analysis, the aesthetics of images in the novel Nostalgia by contemporary Romanian writer Mírcea Crtrescu ([1993], 2018). Linked to the procedures of formal experimentation bequeathed by Modernism, Nostalgia, Mircea Crtrescu's first work in prose ([1993], 2018) proposes itself, at first, as a rupture from the romanesque genre…
Starting for a Contemporary Esthetics, Art History, History of Emotions, above Didi-Huberman's Image theory, using contemporary aesthetics perspectives of Jacques Rancière, Gilles Deleuze, Walter Benjamin, Theodor W. Adorno and others, we intent to comprehend how Cervantes' artwork discloses a complex time composition that refuses restricted itself in its own time, building and rebuilding…
To think about modern art, its ruptures and continuities in classical and romantic tradition, it is essential to understand the Ugly and his freedom from the shackles imposed by the aesthetics of Beauty on aesthetic and historical dimension. Therefore, this study aims to engender a reading and analysis of the concept of Ugly in Aesthetic Theory of Theodor W. Adorno, trying to understand h…
The following research aims to shed light on the relation between the composer Béla Bartók and the critic Theodor W. Adorno. Aiming to enter through this contact an understudied region of the aesthetic: the dialectical relation between the composer and the critic. Was selected writings of the decades of 1920 and 1930, both the composer and the critic, as main sources for this dialogue. To…
This doctoral internship is part of the thesis "Literature is Teratology: the aesthetics of aberrant images in Mircea Cartarescu", under the direction of Fábio DE SOUZA ANDRADE at the Department of Literary Theory and Comparative Literature (DTLLC) at the University of São Paulo (USP - Brazil). Planned to take place at Sorbonne Université, France, with funding from FAPESP (Fundação de Amp…
The research Anachronisms: the images of time in Don Quixote de la Mancha, financed by FAPESP is developed at UNESP, Campus of Assis, under the guidance of Prof. Dr. Hélio Rebello Cardoso Júnior. The purpose of this research abroad, Heterocronisms: the images of time in Don Quixote de la Mancha, is to study different texts of the work of Warburg, Didi-Huberman, Gillez Deleuze and Jacques …
| 1 / 1 | Ongoing scholarships in Brazil |
| 4 / 3 | Completed scholarships in Brazil |
| 2 / 2 | Completed scholarships abroad |
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