| Grant number: | 13/25684-0 |
| Support type: | Scholarships in Brazil - Doctorate |
| Effective date (Start): | March 01, 2014 |
| Effective date (End): | December 31, 2017 |
| Field of knowledge: | Linguistics, Literature and Arts - Arts - Theatre |
| Principal researcher: | Larissa de Oliveira Neves Catalão |
| Grantee: | Carolina Martins Delduque |
| Home Institution: | Instituto de Artes (IA). Universidade Estadual de Campinas (UNICAMP). Campinas , SP, Brazil |
Abstract This research discusses a set of Brazilian staging of the major dramatic works of the Russian writer Anton Chekhov: The Cherry Orchard, directed by Ivan de Albuquerque (1932 - 2001), 1968; The Three Sisters, directed by José Celso Martinez (Teatro Oficina), 1972; The Cherry Orchard, directed by Jorge Tacla, 1982; The Seagull, directed by Daniela Thomas, 1998; Seagull - Theme for a short story, directed by Enrique Diaz (Cia dos Atores), 2007.Chekhov's plays are staged all over the world, composing a benchmark of innovative scenic proposals. With this study, I want to understand how these classic plays of Western theater were greeted by artists and audience in Brazil. It is, therefore, a search of scene analysis and dramaturgy, contextualized by the history of Brazilian theater. | |
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