La langue de Novarina: the origin and movement of the French language in Novarina

• Grant number: 16/17997-6
• Support Opportunities: Scholarships abroad - Research Internship - Doctorate
• Effective date (Start): November 22, 2016
• Effective date (End): November 21, 2017
• Field of knowledge: Linguistics, Literature and Arts - Arts - Theatre
• Principal Investigator: Luiz Fernando Ramos
• Grantee: Ligia Souza de Oliveira
• Supervisor: François Noudelmann
• Host Institution: Escola de Comunicações e Artes (ECA). Universidade de São Paulo (USP). São Paulo , SP, Brazil
• Research place: Université Vincennes Saint-Denis (Paris 8), France
• Associated to the scholarship: 14/07245-1 - Parole: vocable or talking? A reflection about the word in the Valère Novarina plays, BP.DR

Abstract

This internship abroad project aims to deepen the research of the doctoral thesis started in Brazil and financed by FAPESP about the dramaturgy of Valere Novarina, showing his writing the word as refusal to logos and as a physiological production, using the thought of Ludwig Wittgenstein and Paul Zumthor, respectively. On the length of stay in Paris the intention to investigate two aspects of the PhD project: (1) the construction of the Langue de Novarina from the deconstruction of the french language, and (2) the investigation of a genealogy of Novarina's theater, analyzing the Stephane Mallarme and Antonin Artaud works. The necessity of studying in loco provide the deepening in the Novarina's work and become more comprehensive the ideia of word defended by this PhD project. These objectives will be achieved from mainly three methodological actions: (1) orientation meetings with the supervisor François Noudelmann of Université Paris 8 - Saint Denis, and bibliographic research about the playwright and writers who make their genealogy; (2) interview and follow the rehearsal of the author Valère Novarina; (3) immersion in French language and research of the construction Langue de Novarina. The project expectation is that the work held in France will expand the precepts and looks about the Novarina's work, including further the dialogue with other authors and contributing to a new perspective about the word in contemporary theater. (AU)