CV Lattes
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Pontifícia Universidade Católica de São Paulo (PUC-SP). Faculdade de Filosofia, Comunicação, Letras e Artes (Institutional affiliation from the last research proposal) Birthplace: Brazil
graduate at Letras Modernas from Universidade de São Paulo (1972), master's at Semiologia Literária from École des Hautes Études en Sciences Sociales (1978) and ph.d. at Semiologia Literária from Universite de Paris VII - Universite Denis Diderot (1983). Has experience in Comunication, focusing on Comunication, acting on the following subjects: literatura francesa, crítica, psicanálise, literatura and haroldo de campos .and Roland Bartyhes. (Source: Lattes Curriculum)
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As a plaquette, the book is devoted to highlighting a recurrence of themes and concepts in a precise corpus of texts from the first and last phases of Roland Barthes's work, describing his virtuous circle, already noted in previous works published with FAPESP, like Roland Barthes - An intellectual biography. In this sense, a re-reading of Mythologies is devoted to the unprecedented angle …
This work focus, on the fantastic imaginary in post-2001 fiction films. Under the eyes of fantastic cinema has sought to study more specifically a new bestial, sometimes from an apocalyptic expression, that could display its fantastic beings from the most horrendous to the most delicate ones revived and recreated according to the cinema technology, especially the digital one. We work wit…
This current research is committed to an accompaniment of Roland Barthes's reflections on photography, encompassing an arc of events ranging from mythologies to the camera Lucida. More specifically, we focus on the abandonment by the last Barthes of the denunciation of photographic myths and the unexpected introduction of today’s classic concept of punctum that conceits the photographic r…
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The project focuses on pointing out the background relationships between the philosophies of meaning of Jean-Paul Sartre and Roland Barthes, in addition to the intertextual and punctual ones suggested in the critical apparatus of complete Barhesian works and biographies of the latter. Specifically, it aims to point out links, for the time being untouched, between the respective philosophi…
The main purpose is to recognize the work of three contemporary French artists referred, implicitly and explicitly, in the latest and most compelling theory of photographic sublime, such as formulated by Roland Barthes through the concept of "punctum". They are Lucien Clergue (1934-2014), Daniel Boudinet (1945-1990) and Bernard Faucon (1950), important names in the scene of the nineteenth…